Hess 152 |
Irish. Text unknown |
? |
|
Hess 153 |
Irish. Text unknown |
? |
|
Hess 154 |
According to Thayer, nationality unknown |
? |
|
Hess 155 |
Scottish, without text, E major |
? |
|
Hess 156 |
Danish, (Ritter nah'n dem Königsschloß) |
1815-18 |
|
Hess 157 |
Scottish, without text, trio. G major |
? |
|
Hess 158 |
Portuguese, Cancion, "Ich traue nicht den Wogen" (I don't trust the waves) |
1815-18 |
|
Hess 159 |
Portuguese, duet, "Als ihre Augen kaum ich gesehen" (When I had just seen her eyes) |
1815-18 |
|
Hess 160 |
Russian, "In dem Wald, dem grünen Walde" (In the forest, the green forest) |
1815-18 |
|
Hess 161 |
Russian, "Ach, ihr Bächlein, kühlen Wasser" (Oh, you little brook with cool waters) |
1815-18 |
|
Hess 162 |
Russian, "Uns're lieben Mädchen gingen Beeren pflücken" (Our lovely girls went berry picking) |
1815-18 |
|
Hess 163 |
Spanish, Bolero a solo, "Mein Täubchen ist entflogen" (My dove has flown away) |
1815-18 |
|
Hess 164 |
Spanish, Bolero a due, duet, "Die Rose lockt den Falter" (The Rose lures the Butterfly) |
1815-18 |
|
Hess 165 |
Spanish, Tiranilla Española, "Auf Gefährten, macht euch bereit!" (On, companions, get yourselves ready!) |
1815-18 |
|
Hess 166 |
Nationality unknown, E minor |
? |
|
Hess 167 |
Nationality unknown, B-flat major |
? |
|
Hess 168 |
Air by Rousseau (Thomson), text is unknown, F major |
1817 ? |
|
Hess 169 |
Nationality unknown, B-flat major |
? |
|
Hess 170 |
Scottish, without text, A minor |
? |
|
Hess 171 |
Swiss, "An ä Bergli bin i gesässe" (I sat on a mountain) |
1815-18 |
|
Hess 172 |
German, "Horch auf, mein Liebchen" (Listen, oh, my dearest) |
1815-18 |
|
Hess 173 |
German, "Wegen meiner bleib d'Fräula nur da ganz allein" (For all I care, the girl may stay there quite alone) |
1815-18 |
|
Hess 174 |
Tyrolean, "Wann i in der Früh aufsteh" (When I Arise Early in the Morning) |
1815-18 |
|
Hess 175 |
Nationality unknown, trio, with piano only, A major |
? |
|
Hess 176 |
Nationality unknown, trio, B-flat major |
? |
|
Hess 177 |
Russian, "Schöne Minka, ich muß scheiden" (Beautiful Minka, I must part) |
1815-18 |
|
Hess 178 |
Irish; the same piece is listed in Twenty Irish Folksongs [WoO 153, No. 13]. Here as a duet |
? |
|
Hess 179 |
Nationality unknown, E minor |
? |
|
Hess 180 |
Irish, without text, traditional, G minor |
? |
|
Hess 181 |
Venetian canzonetta, "Vom rosigen Munde in zärtlicher Stunde" (From Rosy Lips in Tender Hours) |
1815-18 |
|
Hess 182 |
Tyrolean, "Teppichkrämerlied" or "I bin a Tyroler Bua" (Carpet Sellers Songs, or I am a Tyrolean Boy) |
1815-18 |
|
Hess 183 |
Tyrolean, "A Madel, ja, a Madel" (A Maiden, yes, a Maiden) |
1815-18 |
|
Hess 184 |
Polish, "Auf, auf, ihr Freunde" (On, On, You Friends) |
1815-18 |
|
Hess 185 |
Polish, "Lenz und Liebenswonen enden" (Springtime and the Bliss of Love End) |
1815-18 |
|
Hess 186 |
Swedish Lullaby, "Schlaf mein Liebling, schlafe ein" (Sleep, my darling, fall asleep) |
1815-18 |
|
Hess 187 |
Tyrolean, "Wer solche Buema afipackt" (Getting the Better of Four Lads) |
1815-18 |
|
Hess 188 |
Hungarian drinking song, "Nach der Heimat Rebenfluren" (Vine Fields) |
1815-18 |
|
Hess 189 |
Tyrolean Aria, "Ih mag di nit nehma" (I won't take you) |
1815-18 |
|
Hess 190 |
Unknown Irish song, piano version |
? |
|
Hess 191 |
End of an unknown song |
? |
|
Hess 247 |
Three-part canon without text in G major |
1795 ? |
|
Hess 248 |
Four-part canon without text in C major |
1795 ? |
|
Hess 249 |
Four-part canon, "Brauchle-Linke" in C major |
1815 ? |
|
Hess 250 |
Canon "Ich küsse Sie, drücke Sie an mein Herz!" |
1816 |
|
Hess 251 |
Two-part canon, "Ars longa, vita brevis" |
1816 |
|
Hess 252 |
Four-part canon, "Glück fehlt dir vor allem" |
1817 |
|
Hess 253 |
Four-part puzzle canon, "Hol euch der Teufel? B'hüt euch Gott!" |
1819 |
|
Hess 254 |
Canon-fragment, "Hol dich der Teufel" |
1801 |
|
Hess 255 |
Two Canons: |
1819 |
|
|
"Sankt Petrus war ein Fels" |
|
|
|
"Bernadus war ein Sankt?" |
|
|
Hess 256 |
Fragment similar to a three-part canon, "Sankt Peter ist der Fels" |
? |
|
Hess 257 |
"Bester Magistrat, ihr friert" |
um 1820 |
|
Hess 258 |
"Gehabt euch wohl" |
1820 ? |
|
Hess 259 |
"Tugend ist kein leerer Name" |
1820 ? |
|
Hess 260 |
"Fettlümmerl, Bankert haben triumphiert" |
? |
|
Hess 261 |
"Bester Herr Graf, Sie sind ein Schaf" |
1823 |
|
Hess 262 |
"Falstafferel, laß dich sehen!" |
1823 |
|
Hess 263 |
"Te solo adoro" |
1824? |
|
Hess 264 |
"Te solo adoro" |
1824? |
|
Hess 265 |
Canon "Gott ist eine feste Burg" |
1825 |
|
Hess 266 |
"Doktor, sperrt das Tor dem Tod" |
1825 |
|
Hess 267 |
"Ich war hier, Doktor, ich war hier" |
1825 |
|
Hess 268 |
"Ars longa, vita brevis" |
1825 |
|
Hess 269 |
"Ars longa, vita brevis" |
1825 ? |
|
Hess 270 |
"Es muß sein!" |
1826 |
|
Hess 271 |
"Da ist das Werk, sorgt um das Geld!" |
1826 |
|
Hess 272 |
"Das Schöne zu dem Guten" |
1825 |
|
Hess 273 |
Instrumental canon, in A major |
1825 |
|
Hess 274 |
Two-part canon, G major |
1803 |
|
Hess 275 |
Two-part canon, A-flat major |
1803 |
|
Hess 276 |
"Herr Graf, ich komme zu fragen, wie Sie sich befinden" |
1797? |
|
Hess 277 |
"Esel aller Esel" |
1826 |
|
Hess 296 |
A Small Cadenza for Léon de Saint-Lubin |
1822 |
|
Hess 297 |
Adagio for Three Horns in E-flat major |
? |
|
Hess 298 |
Sketches for a Symphony movement in C minor |
1791/93 |
|
Hess 299 |
Draft of a Canon, "Bester Magistrat" |
? |
|
Hess 300 |
Draft of a Canon for [Aloys] Weißenbach |
1819/20 |
|
Hess 301 |
Draft of a Canon for Wähner |
1819/20 |
|
Hess 302 |
"Uns geht es kannibalisch wohl als wie fünfhundert Säuen." |
1825 |
|
Hess 303 |
"Großen Dank für solche Gnade" |
1823 |
|
Hess 304 |
"Ich blase das Fagott" |
? |
|
Hess 305 |
"Geschlagen ist der Feind" |
? |
|
Hess 306 |
"Wie Silber [ist] die Rede, doch zu rechter Zeit schweigen ist lautres Gold" |
? |
|
Hess 307 |
"Ewig Dein" |
? |
|
Hess 308/9 |
Two unknown canons for Friedrich Kuhlau |
|
|
|
Canon N. 1 |
? |
|
|
Canon N. 2 |
? |
|
Hess 310 |
Prelude for organ in C major |
? |
|
Hess 311 |
Song, "Grasmücke" |
? |
|
Hess 312 |
"Singen ist des Lebens Freude" |
? |
|
Hess 313 |
Vocal piece with Italian text for [Carlo Evasio] Soliva, from 1824 |
1824 |
|
Hess 314 |
"A Mourning Cantata for Cressener" |
1781 |
|
Hess 315 |
Unknown fugue |
? |
|
Hess 316 |
Unknown quintet |
1793 |
|
Hess 317 |
"Europens Befreyungsstunde" |
1814 |
|
Hess 318 |
"Unfinished string quintet (otherwise unidentified)" |
? |
|
Hess 319 |
String Quintet, mentioned by Beethoven in a letter of 1 June 1805 to Artaria |
1805 |
|
Hess 320 |
Andante in G for a string quartet |
1815 |
|
Hess 321 |
A small instrumental melody in B-flat major |
ca. 1800 |
|
Hess 322 |
"Gott allein ist unser Herr, er allein" |
1818 |
|
Hess 323 |
"Leb wohl, schöne Abendsonne" |
1818 |
|
Hess 324 |
Melody in C minor with piano accompaniment |
? |
|
Hess 325 |
Piece in D major |
? |
|
Hess 326 |
Little piece in four-part fugue style in C major |
1803 |
|
Hess 327 |
Two small, pretty melodies, A minor |
|
|
|
Melody N. 1 |
? |
|
|
Melody N. 2 |
? |
|
Hess 328 |
Two-part canon |
? |
|
Hess 329 |
The beginning of a polyphonic composition, "Tibi gratulor" |
? |
|
Hess 330 |
A march-like piece, almost completed in draft |
? |
|
Hess 331 |
Minuet in B-flat major |
? |
|
Hess 332 |
Pastorella in D major |
? |
|
Hess 333 |
Minuet-Scherzo in A major |
? |
|
Hess 334 |
Allegro in A major |
? |
|
Hess 335 |
Second task for Archduke Rudolph |
? |
|
Hess A 1 |
Symphony in C major |
? |
|
Hess A 2 |
Marsch für das York'sche Corps |
1818/19 |
|
Hess A 3 |
Unknown arrangement of the "Marsch zur großen Wachtparade" |
? |
|
Hess A 4 |
"Marsch in geschwindem Tempo" |
? |
|
Hess A 5 |
Twelve Ecossaises and Twelve Waltzes for orchestra |
1807 |
|
Hess A 6 |
Piano Concerto Movement in D major |
? |
|
Hess A 7 |
Six String Quartets |
|
|
|
C major |
? |
|
|
G major |
? |
|
|
E-flat major |
? |
|
|
F minor |
? |
|
|
D major |
? |
|
|
B-flat major |
? |
|
Hess A 8 |
Quintet for Flute, Violin, two Violas and Violoncello after the Violin Sonate Op. 30, No. 3 |
? |
|
Hess A 9 |
Sonata a tre, in six movements |
? |
|
Hess A 10 |
"Andante favori" [WoO 57] as a string quartet |
spätestens 1806 |
|
Hess A 11 |
Sonata for Piano and Flute, B-flat major |
? |
|
Hess A 12 |
Serenade Op. 41 for piano and flute, a transcription of th Trio Op. 25 |
1803 |
|
Hess A 13 |
Notturno Op. 42 for viola and piano |
1803 |
|
Hess A 14 |
Trio for Piano, Violin and Violoncello, E-flat major, Op. 63, after the String Quintet Op. 4 |
1806 ? |
|
Hess A 15 |
Sonata for Piano and Violoncello, E-flat major, Op. 64, after the String Trio Op. 3 |
1807 |
|
Hess A 16 |
Trio for Piano, Violin and Violoncello, D major |
? |
|
Hess A 17 |
Two pieces for Violin and Piano, also for String Quartet |
? |
|
Hess A 18 |
Three Pieces for Piano Four-Hands: a Gavotte in F major, an Allegro in B-flat major, and a Marzia lugubre (fragment) in C minor |
? |
|
Hess A 19 |
Nine German Dances for Piano Four-Hands |
1815 |
|
Hess A 20 |
Rondo B-flat major for Piano Two-Hands |
1791 |
|
Hess A 21 |
Bagatelle Op. 119, No. 12 |
? |
|
Hess A 22 |
"Trauermarsch" |
? |
|
Hess A 23 |
Introduction and Waltz |
? |
|
Hess A 24 |
"Alexandermarsch" |
? |
|
Hess A 25 |
"Pariser Einzugsmarsch" |
? |
|
Hess A 26 |
"Trauermarsch" |
? |
|
Hess A 27 |
"Sehnsuchtswalzer" |
? |
|
Hess A 28 |
"Schmerzenswalzer" |
? |
|
Hess A 29 |
"Hoffnungswalzer" |
? |
|
Hess A 30 |
"Geisterwalzer" |
? |
|
Hess A 31 |
Waltz in F major |
? |
|
Hess A 32 |
Waltz in D-flat major |
? |
|
Hess A 33 |
"Jubelwalzer" |
? |
|
Hess A 34 |
"Gertruds Traumwalzer" |
? |
|
Hess A 35 |
"Sonnenscheinwalzer" |
? |
|
Hess A 36 |
"Mondscheinwalzer" |
? |
|
Hess A 37 |
"Glaube, Liebe, Hoffnung" |
? |
|
Letzte Änderung am 6. Juni 2023