Franz Liszt (1811-1886)
Werke sortiert nach Searle (Verzeichnis nach Humphrey Searle, 1966)
A. Original Works
1. Opera
| Searle 1 | Don Sanche, ou Le Château d'Amour | 1824-25 |  |
2. Sacred Choral Works
3. Secular Choral Works
4. Orchestral Works
Symphonic Poems
| Searle 95 | Ce qu'on entend sur la montagne (Bergsymphonie) | 1848-49 | |
| Searle 96 | Tasso, Lamento e Trionfo | 1849-54 |  |
| Searle 97 | Les Préludes | 1848 | |
| Searle 98 | Orpheus | 1853-54 | |
| Searle 99 | Prometheus | 1850 | |
| Searle 100 | Mazeppa | 1851 | |
| Searle 101 | Festklänge | 1853 | |
| Searle 102 | Héroïde Funèbre | 1848-50 | |
| Searle 103 | Hungaria | 1854 | |
| Searle 104 | Hamlet | 1858 | |
| Searle 105 | Hunnenschlacht | 1856-57 | |
| Searle 106 | Die Ideale | 1857 | |
| Searle 107 | From the Cradle to the Grave | 1881-82 | |
Other Orchestral Works
| Searle 108 | A Faust Symphony in three character pictures | 1854 | |
| Searle 109 | A Symphony to Dante's Divina Commedia | 1855-56 | |
| Searle 110 | Two Episodes from Lenau's Faust | ||
| 1. Der nächtliche Zug | 1860 | |
|
| 2. Der Tanz in der Dorfschänke (1st Mephisto Waltz) | 1860 | |
|
| Searle 111 | 2nd Mephisto Waltz | 1880-81 | |
| Searle 112 | Trois Odes Funèbres | 1860-66 | |
| Searle 113 | Salve Polonia | 1863 | |
| Searle 114 | Künstlerfestzug zur Schillerfeier | 1857 | |
| Searle 115 | Festmarsch zur Goethejubiläumsfeier | 1849 | |
| Searle 116 | Festmarsch nach Motiven von E.H.z.S.-C.-G. | 1859 | |
| Searle 117 | Rákóczy March | 1865 | |
| Searle 118 | Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8 Juni 1867 | 1870 | |
| Searle 119 | Ungarischer Sturmmarsch | 1875 | |
5. Pianoforte and Orchestra
| Searle 120 | Grande Fantaisie Symphonique on themes from Berlioz' Lélio | 1834 | |
| Searle 121 | Malediction, with string orchestra | 1830-40 | |
| Searle 122 | Fantasia on themes from Beethoven's Ruins of Athens | 1848-52 | |
| Searle 123 | Fantasia on Hungarian Folk Themes | 1852 | |
| Searle 124 | Concerto No. 1 in E flat | 1830-55 |  |
| Searle 125 | Concerto No. 2 in A major | 1839 | |
| Searle 126 | Totentanz. Paraphrase on the Dies Irae | 1849 | |
6. Chamber Music, etc.
| Searle 127 | Duo (Sonata), violin and piano | 1830er | |
| Searle 128 | Grand Duo Concertant sur la Romance de M. Lafont, "Le Marin" | 1835 | |
| Searle 129 | Epithalam zu E. Reményis Vermählungsfeier | 1872 | |
| Searle 130 | Elegy | 1874 | |
| Searle 131 | Second Elegy | 1877 | |
| Searle 132 | Romance Oubliée | 1880 | |
| Searle 133 | Die Wiege (The Cradle) | 1881 | |
| Searle 134 | La Lugubre Gondola | 1882 | |
| Searle 135 | Am Grabe Richard Wagners | 1883 | |
7. Pianoforte, Two Hands
Studies
| Searle 136 | Étude en 48 exercises dans tous les tons majeurs et mineurs | 1826 | |
| Searle 137 | 24 Grandes Études | 1838 | |
| Searle 138 | Mazeppa | 1840? | |
| Searle 139 | Études d'exécution transcendante | 1851 | |
| Searle 140 | Études d'exécution transcendante d'apres Paganini | 1838 | |
| Searle 141 | Grandes Études de Paganini | 1851 | |
| Searle 142 | Morceau de Salon, Étude de Perfectionnement | 1840 | |
| Searle 143 | Ab Irato. Étude de Perfectionnement de la Méthode des méthodes | 1852 | |
| Searle 144 | 3 Études de Concert | 1848 | |
| Searle 145 | 2 Concert Studies | 1862-63 | |
| Searle 146 | Technical Studies (12 books) | 1868-80 | |
Various Original Works
Works in Dance Form
Works on National Themes
Austrian
| Searle 233a | Tyrolean Melody | 1856? | |
Czech
| Searle 234 | Hussitenlied of the 15th century | 1840 | |
English
| Searle 235 | God Save the Queen | 1841 | |
French
| Searle 236 | Faribolo Pastout and Chanson du Béarn | 1844 | |
| Searle 237 | La Marsaillaise | vor 1872 | |
| Searle 238 | La cloche sonne | 1850 | |
| Searle 239 | Vive Henri IV | 1870-80 | |
German
| Searle 240 | Gaudeamus igitur. Concert paraphrase | 1843 | |
Hungarian
| Searle 241 | Two Movements of Hungarian character (Zum Andenken) | 1828 | |
| Searle 242 A | Magyar Dallok [Ungarische Nationalmelodien] | 1839-47 | |
| Searle 242 B | Magyar Rhapsodiák [Ungarische Rhapsodien] | ? | |
| Searle 242 C | [ohne Bezeichnung] | ? | |
| Searle 243 | Ungarische Nationalmelodien | 1840 | |
| Searle 244 | Hungarian Rhapsodies | ||
| 1. Lento, quasi Recitativo | 1846 | |
|
| 2. Lento a capriccio | 1847 | |
|
| 3. Andante | ? | |
|
| 4. Quasi Adagio | ? | |
|
| 5. Heroide-Elégiaque | ? | |
|
| 6. Tempo giusto | ? | |
|
| 7. Lento | ? | |
|
| 8. Lento a capriccio | ? | |
|
| 9. Pester Kerneval | 1848 | |
|
| 10. Preludio | ? | |
|
| 11. Lento a capriccio | ? | |
|
| 12. Mesto | ? | |
|
| 13. Andante sostenuto | ? | |
|
| 14. Lento quasi marcia funèbre | ? | |
|
| 15. Rákóczy March | ? | |
|
| 16. Allegro | 1882 | |
|
| 17. Lento | 1883? | |
|
| 18. Lento | 1885 | |
|
| 19. Lento | 1885 | |
|
| Searle 245 | 5 Hungarian folk songs | 1873 | |
| Searle 246 | Puszta-Wehmut | ? | |
Italian
| Searle 247 | La romanesca | 1839 | |
| Searle 248 | Canzone Napolitana | 1842 | |
Polish
| Searle 249 | Glanes de Woronince | 1847-48 | |
Russian
| Searle 250 | Deux Mélodies russe | 1842 | |
| Searle 251 | Abschied. Russisches Volkslied | 1885 | |
Spanish
| Searle 252 | Rondeau fantastique sur un thème espagnol, El Contrabandista | 1836 | |
| Searle 253 | Grosse Konzertfantasie über Spanische Weisen | 1845 | |
| Searle 254 | Rhapsodie espagnole | 1863 | |
8. Pianoforte, Four Hands
| Searle 255 | Festpolonaise | 1876 | |
| Searle 256 | Variation on the Chopstick theme | 1880 | |
| Searle 256a | Nottorno (F sharp major) | ? | |
9. Two Pianofortes
| Searle 257 | Grosses Konzertstuck über Mendelssohns Lieder ohne Worte | 1834 | |
| Searle 258 | Concerto pathétique | 1856? | |
10. Organ
| Searle 259 | Fantasy and Fugue on the chorale Ad nos, ad salutarem undam | 1850 | |
| Searle 260 | Prelude and Fugue on the name BACH | 1855 | |
| Searle 261 | Pio IX. Der Papsthymnus | 1863? | |
| Searle 261a | Andante religioso | ? | |
| Searle 262 | Ora pro nobis. Litanei | 1864 | |
| Searle 263 | Resignazione | 1877 | |
| Searle 264 | Missa pro organo lectarum celebrationi missarum adjumento inserviens | 1879 | |
| Searle 265 | Gebet | 1879 | |
| Searle 266 | Requiem für die Orgel | 1883 | |
| Searle 267 | Am Grabe Richard Wagners | 1883 | |
| Searle 268 | Zwei Vortragsstücke | 1860/84 | |
11. Songs
12. Other Choral Works
| Searle 341 | Ave Maria IV | 1881 | |
| Searle 342 | Le Crucifix | 1884 | |
| Searle 343 | Sancta Caecilia | ? | |
| Searle 344 | O Meer im Abendstrahl | 1880 | |
| Searle 345 | Wartburg-Lieder from Der Braut Willkomm auf Wartburg | 1872 | |
13. Recitations
| Searle 346 | Lenore | 1858 | |
| Searle 347 | Vor hundert Jahren | 1859 | |
| Searle 348 | Der traurige Mönch | 1860 | |
| Searle 349 | Des toten Dichters Liebe. A holt költö szerelme | 1874 | |
| Searle 350 | Der blinde Sänger | 1875 | |
B. Arrangements, Transcriptions, Fantasies, etc.
14. Orchestral Works
Bülow
| Searle 351 | Mazurka-Fantasie | 1865 | |
Cornelius
| Searle 352 | Second Overture to The Barber of Bagdad | 1877 | |
Egressy and Erkel
| Searle 353 | Szórath and Hymnus | 1870-73 | |
Liszt
| Searle 354 | Two Legends | 1863 | |
| Searle 355 | Vexilla regis prodeunt | 1864 | |
| Searle 356 | Festvorspiel | 1857 | |
| Searle 357 | Huldigungsmarsch zur Huldigungsfeier S.K.H. des Grossherzogs Carl Alexander von Sachsen-Weimar | 1857 | |
| Searle 358 | Vom Fels zum Meer | ? | |
| Searle 359 | Hungarian Rhapsodies | ? | |
| Searle 360 | À la chapelle Sixtine | ? | |
| Searle 361 | Der Papsthymnus | ? | |
| Searle 362 | Benedictus from the Hungarian Coronation Mass | 1875 | |
Schubert
| Searle 363 | Four Marches from Opp. 40, 54 and 121 | 1859-60 | |
Zarembski
| Searle 364 | Danses galicienne | 1881 | |
15. For Pianoforte and Orchestra
Liszt
| Searle 365 | Grand Solo de Concert | 1850 | |
Schubert
| Searle 366 | Fantasia in C major, Op. 15 (Wanderer), symphonic arrangement | 1851 | |
Weber
| Searle 367 | Polonaise brillante, OP. 72 | 1851 | |
16. Songs with Orchestra
Korbay
| Searle 368 | 2 Songs | 1883 | |
Liszt
| Searle 369 | Die Loreley | 1860 | |
| Searle 370 | Mignons Lied | 1860 | |
| Searle 371 | Die Vätergruft | 1886 | |
| Searle 372 | Three Songs from Schiller's Wilhelm Tell | 1855 | |
| Searle 373 | Jeanne d'Arc au bûcher | 1858 | |
| Searle 374 | Die drei Zigeuner | 1860 | |
Schubert
| Searle 375 | 6 Songs | 1860 | |
| Searle 376 | Die Allmacht | 1871 | |
Géza Zichy
| Searle 377 | Der Zaubersee | ? | |
17. Chamber Music, etc.
| Searle 377a | La Notte | 1844-46 | |
| Searle 378 | Angelus | 1880 | |
| Searle 379 | Pester Karneval | ? | |
| Searle 380 | O du mein holder Abendstern from Tannhäuser | 1852 | |
| Searle 381 | Benedictus and Offertorium from the Hungarian Coronation Mass | 1869 | |
| Searle 382 | Die Zelle im Nonnenwerth | ? | |
| Searle 383 | Die drei Zigeuner | 1864 | |
18. For Pianoforte Solo
Paraphrases, Operatic Transcriptions, etc.
Alabieff
| Searle 384 | Mazurka pour piano composée par un amateur de St. Petersbourg | 1842 | |
Auber
Beethoven
| Searle 388 | Capriccio alla turca sur des motifs de Beethoven (Ruines d'Athènes) | 846 | |
| Searle 389 | Fantasia on Beethoven's Ruins of Athens | ? | |
Bellini
| Searle 390 | Reminiscences des Puritains | 1836 | |
| Searle 391 | I Puritani. Introduction e Polonaise | 1840 | |
| Searle 392 | Hexameron, Morceau de Concert | 1837 | |
| Searle 393 | Fantaisie sur des motifs favoris de l'opéra La Sonnambula | 1839 | |
| Searle 394 | Réminiscences de Norma | 1841 | |
Berlioz
| Searle 395 | L'idée fixe | 1833 | |
| Searle 396 | Benediction et Serment | 1852 | |
Donizetti (Gaetano)
| Searle 397 | Réminiscences de Lucia di Lammermor | 1835-36 | |
| Searle 398 | Marche et cavatine de Lucie de Lammermoor | 1835-36 | |
| Searle 399 | Nuit d'Été à Pausilippe | 1838 | |
| Searle 400 | Réminiscences de Lucrezia Borgia | 1840 | |
| Searle 401 | Valse a capriccio sur deux motifs de Lucrezia et Parisina | 1842 | |
| Searle 402 | Marche funèbre de Dom Sébastien | 1844 | |
Donizetti, Giuseppe
| Searle 403 | Grande Paraphrase de la marche de Giuseppe Donizetti composée pour Sa Majesté le sultan Abdul Medjid-Khan | 1847 | |
| Searle 404 | Halloh! Jagdchor und Steyrer from the opera Tony | 1847 | |
Erkel, Franz
| Searle 405 | Schwanengesang and March from Hunyadi Laszlo | 1847 | |
Glinka
| Searle 406 | Tscherkessenmarsch from Russlan and Ludmilla | 1843 | |
Gounod
| Searle 407 | Valse de l'opéra Faust | 1861 | |
| Searle 408 | Les Sabéennes. Berceuse de l'opéra La Reine de Saba | 1865 | |
| Searle 409 | Les Adieux. Rêverie sur un motif de l'opéra Romeo et Juliette | 1868 | |
Halévy
| Searle 409a | Réminiscences de La Juive | 1835 | |
Mendelssohn
| Searle 410 | Wedding March and Dance of the Fairies from the music to Shakespeare's A Midsummer Night's Dream | 1849-50 | |
Mercadante
| Searle 411 | Soirée italienne. Six amusements | 1838 | |
Meyerbeer
| Searle 412 | Grande Fantaisie sur des thèmes de l'opéra Les Huguenots | 1836 | |
| Searle 413 | Réminiscences de Robert le Diable | 1841 | |
| Searle 414 | Illustrations du Prophète | 1849-50 | |
| Searle 415 | Illustrations de l'Africaine | 1865 | |
| Searle 416 | Le Moine | 1865 | |
Mosonyi, Michael
| Searle 417 | Fantaisie sur l'opéra hongrois Szép Ilonka | 1867 | |
Mozart
| Searle 418 | Réminiscences de Don Juan | 1841 | |
Pacini
| Searle 419 | Divertissement sur la cavatine I tuoi frequenti palpiti | 1835-36 | |
Paganini
| Searle 420 | Grande Fantaisie de bravoure sur La Clochette | 1831-32 | |
Raff
| Searle 421 | Andante Finale and March from the opera King Alfred | 1853 | |
Rossini
| Searle 422 | La Serenata e l'Orgia. Grande Fantaisie sur des motifs des Soirées musicales | 1835-36 | |
| Searle 423 | La Pastorella dell' Alpi e Li marini. 2me Fantaisie sur des motifs des Soirées musicales | 1835-36 | |
| Searle 424 | Soirées musicales | ? | |
Schubert
| Searle 425 | Mélodies hongroises (d'après Schubert) | ? | |
| Searle 426 | Schubert's Marches for the pianoforte | 1846 | |
| Searle 427 | Soirées de Vienne. (9) Valses caprices after Schubert | 1852 | |
Sorriano
| Searle 428 | Feuille morte. Elégie d'après Sorriano | 1845 | |
Tchaikovsky
| Searle 429 | Polonaise from Eugene Onegin | 1880 | |
Végh, Janos
| Searle 430 | Concert Waltz after the 4-hand waltz suite | ? | |
Verdi
| Searle 431 | Salve Maria de Jerusalem (I Lombardi) | 1848 | |
| Searle 431a | Concert Paraphrase on Ernani | 1847 | |
| Searle 432 | Ernani. Paraphrase de Concert | 1849 | |
| Searle 433 | Miserere du Trovatore | 1859 | |
| Searle 434 | Rigoletto. Paraphrase de Concert | 1859 | |
| Searle 435 | Don Carlos. Transcription. Coro di festa e marcia funebre | 1867-68 | |
| Searle 436 | Aida. Danza sacra' e duetto finale | 1871-79 | |
| Searle 437 | Agnus Dei de la messe de Requiem | 1877 | |
| Searle 438 | Réminiscences de Boccanegra | 1882 | |
Wagner
| Searle 439 | Fantasiestück on themes from Rienzi | 1859 | |
| Searle 440 | Spinning chorus from The Flying Dutchman | 1860 | |
| Searle 441 | Ballad from The Flying Dutchman | vor 1873 | |
| Searle 442 | Overture to Tannhäuser | 1848 | |
| Searle 443 | Pilgrim's chorus from Tannhäuser | 1861 | |
| Searle 444 | O du mein holder Abendstern | 1849 | |
| Searle 445 | Two Pieces from Lohengrin and Tannhäuser | 1852 | |
| Searle 446 | From Lohengrin | 1854 | |
| Searle 447 | Isolda's Liebestod from Tristan and Isolda | 1867 | |
| Searle 448 | Am stillen Herd from Meistersinger | 1871 | |
| Searle 449 | Valhalla from The Ring of the Nibelung | 1878-80 | |
| Searle 450 | Solemn march to the Holy Grail from Parsifal | 1882 | |
Weber
| Searle 451 | Freischütz Fantasy | 1840-41 | |
| Searle 452 | Leyer und Schwert | 1846-47 | |
| Searle 453 | Einsam bin ich, nicht alleine, from Preciosa | 1848 | |
| Searle 454 | Schlummerlied von C. M. von weber mit Arabesken | 1848 | |
| Searle 455 | Polonaise brillante | 1851 | |
Zichy, Count Géza
| Searle 456 | Valse d'Adele | 1877 | |
Unknown
| Searle 458 | Piano piece on Italian operatic melodies | ? | |
| Searle 459 | Three short pieces on themes by other composers | ? | |
| Searle 460 | Kavallerie-Geschwindmarsch | 1883? | |
Partitions de Piano, Transcriptions, etc.
Allegri and Mozart
| Searle 461 | À la chapelle Sixtine | 1862 | |
Bach
| Searle 462 | Six organ preludes and fugues | 1842-50 | |
| Searle 463 | Organ Fantasy and Fugue in G minor | vor 1872 | |
| Searle 464 | Symphonies de Beethoven | 1837-64 | |
| Searle 465 | Grand Septuor, Op. 20 | 1841 | |
| Searle 466 | Adelaide, Op. 46 | 1839 | |
| Searle 467 | 6 geistlicher Lieder (Gellert), Op. 48 | 1840 | |
| Searle 468 | Beethoven's Lieder von Goethe (from Op. 75, 83, 84) | vor 1849 | |
| Searle 469 | An die ferne Geliebte, Song-cycle, Op. 98 | 1849 | |
Berlioz
| Searle 470 | Berlioz: Episode de la vie d'un artiste | 1833 | |
| Searle 471 | Ouverture des Francs-Juges | 1833 | |
| Searle 472 | Harold en Italie | 1836 | |
| Searle 473 | Marche des Pèlerins de la sinfonie Harold en Italie | 1836 | |
| Searle 474 | Ouverture du Roi Lear | 1836 | |
| Searle 475 | Danses des Sylphes de la Damnation de Faust | 1860 | |
Bertin, Louise
| Searle 476 | Esmeralda | 1837 | |
| Searle 477 | Air chanté par Massol (from Esmeralda) | 1837 | |
Bulhakov
| Searle 478 | Russischer Galopp | 1843 | |
von Bülow
| Searle 479 | Dante's Sonnett, Tanto gentile e tanto onesta | 1874 | |
| Searle 480 | 6 Chants polonais, Op. 74 | 1847-60 | |
Conradi
| Searle 481 | Le célèbre Zigeunerpolka | 1847 | |
Cui
| Searle 482 | Tarantella | 1885 | |
Dargomyschsky
| Searle 483 | Tarantelle | 1879 | |
David
| Searle 484 | Bunte Reihe, Op. 30 | 1850 | |
Dessauer
| Searle 485 | Lieder | 1847 | |
Draeseke
| Searle 485a | Cantata, Der Schwur am Rütli | 1870 | |
Egressy und Erkel
| Searle 486 | Szózat und Ungarischer Hymnus | nach 1869 | |
Festetics
| Searle 487 | Spanisches Ständchen | 1846 | |
Franz
| Searle 488 | Er ist gekommen in Sturm und Regen | 1848 | |
| Searle 489 | Lieder | 1849? | |
Goldschmidt
| Searle 490 | Liebesszene und Fortunas Kugel from Die sieben Todsünden | 1880 | |
Gounod
| Searle 491 | Hymne à St. Cecile | 1866 | |
Herbeck
| Searle 492 | Tanzmomente | 1869 | |
Hummel
| Searle 493 | Septett, Op. 74 | 1848 | |
Lassen
| Searle 494 | Löse Himmel meine Seele | 1861 | |
| Searle 495 | Ich weil' in tiefer Einsamkeit | 1872? | |
| Searle 496 | From the music to Hebbel's Nibelungen and Goethe's Faust | 1878-79 | |
| Searle 497 | Symphonisches Zwischenspiel (Intermezzo) zu Calderons Schaupiel, Über allen Zauber Liebe | nach 1881 | |
Lessmann
| Searle 498 | 3 songs from J. Wolff's Tannhäuser | 1882 | |
Liszt
Mendelssohn
| Searle 547 | Lieder from Op. 19, 34 and 47 | 1840 | |
| Searle 548 | Wasserfahrt and Der Jäger Abschied from Op. 50 | 1848 | |
Meyerbeer
| Searle 549 | Festmarsch zu Schillers 100-Jähriger Geburtsfeier | 1860 | |
Mozart
| Searle 550 | Confutatis and Lacrymosa from the Requiem | 1865? | |
Pezzini
| Searle 551 | Una stella amica. Mazurka | ? | |
Rossini
| Searle 552 | Ouverture de l'opéra Guillaume Tell | 1838 | |
| Searle 553 | Deux Transcriptions | 1847 | |
Rubinstein
| Searle 554 | 2 Songs | 1880 | |
Saint-Saëns
| Searle 555 | Danse macabre, Op. 40 | 1876 | |
Schubert
| Searle 556 | Die Rose (Heideröslein) | 1835 | |
| Searle 557 | Lob der Tränen | 1838 | |
| Searle 558 | 12 Lieder | 1838 | |
| Searle 559 | Der Gondelfahrer op. 28 | 1838 | |
| Searle 560 | Schwanengesang | 1838-39 | |
| Searle 561 | Winterreise | 1839 | |
| Searle 562 | Geistliche Lieder | 1840 | |
| Searle 563 | Sechs Melodien | 1846 | |
| Searle 564 | Die Forelle | 1846 | |
| Searle 565 | Müllerlieder | 1846 | |
Schumann
| Searle 566 | Liebeslied (Widmung) | 1848 | |
| Searle 567 | An den Sonnenschein and Rotes Röslein | 1861? | |
| Searle 568 | Frühlingsnacht (Überm Garten durch die Lüfte) | 1872? | |
| Searle 569 | Lieder von Robert and Clara Schumann | 1872? | |
| Searle 570 | Provençalisches Minnelied | 1881 | |
Spohr
| Searle 571 | Die Rose. Romanze | 1877? | |
Szabady
| Searle 572 | Revice Szegedin. Marche hongroise transcrite d'après l'orchestration de J. Massenet | 1879 | |
Széchényi, Count Imre
| Searle 573 | Einleitung und Ungarischer Marsch. Bevezetés és magyar indulo | 1878? | |
Weber
| Searle 574 | Ouverture Oberon | 1843 | |
| Searle 575 | Ouverture Der Freischütz | 1846 | |
| Searle 576 | Jubelouverture | 1846 | |
Wielhorsky, Count Michael
| Searle 577 | Autrefois. Romance | 1843 | |
19. Pianoforte Duet
Field
| Searle 577a | Nocturnes Nos. 1-9, 14, 18 and Nocturne Pastorale in E | ? | |
Liszt
Mozart
| Searle 634a | Adagio from The Magic Flute | ? | |
20. Two Pianofortes
Liszt
| Searle 635 | Ce qu'on entend sur la montagne | 1854-57 | |
| Searle 636 | Tasso | 1854-56 | |
| Searle 637 | Les Préludes | 1854-56 | |
| Searle 638 | Orpheus | 1854-56 | |
| Searle 639 | Prometheus | 1855-56 | |
| Searle 640 | Mazeppa | 1855 | |
| Searle 641 | Festklänge | 1853-56 | |
| Searle 642 | Héroide Funèbre | 1854-56 | |
| Searle 643 | Hungaria | 1854-61 | |
| Searle 644 | Hamlet | 1858-61 | |
| Searle 645 | Hunnenschlacht | 1857 | |
| Searle 646 | Die Ideale | 1857-58 | |
| Searle 647 | A Faust Symphony | 1856 | |
| Searle 648 | A Symphony to Dante's Devina Commedia | 1856-59 | |
| Searle 649 | Fantasy on themes from Beethoven's Ruins of Athens | nach 1852 | |
| Searle 650 | Piano Concerto No. 1 | 1853 | |
| Searle 651 | Piano Concerto No. 2 | 1859 | |
| Searle 652 | Totentanz | 1859-65 | |
| Searle 653 | Wanderer Fantasia | nach 1851 | |
| Searle 654 | Hexameron | nach 1837 | |
| Searle 655 | Réminescences de Norma | nach 1841 | |
| Searle 656 | Réminescences de Don Juan | nach 1841 | |
| Searle 657 | Beethoven's 9th Symphony | vor 1852 | |
21. Organ
Allegri und Mozart
| Searle 658 | Evocation à la Chapelle Sixtine | 1862 | |
Arcadelt
| Searle 659 | Ave Maria | 1862 | |
Bach
| Searle 660 | Einleitung und Fuge aus der Motette 'Ich hatte viel Bekümmernis' und Andante 'Aus tiefer Not' | 1860 | |
| Searle 661 | Adagio from the 4th violin sonata | ? | |
Chopin
| Searle 662 | Préludes, Op. 28 Nos. 4 and 9 | ? | |
Lassus
| Searle 663 | Regina coeli laetere | 1865 | |
Liszt
| Searle 664 | Tu es Petrus | 1867 | |
| Searle 665 | San Francesco. Preludio per il Cantico de Sol di San Francesco | 1880 | |
| Searle 666 | Excelsior! Preludio zu den Glocken des Strassburger Münsters | nach 1874 | |
| Searle 667 | Offertorium from the Hungarian Coronation Mass | nach 1867 | |
| Searle 668 | Slavimo Slavno Slaveni! | 1863 | |
| Searle 669 | Zwei Kirchenhymnen | nach 1868 | |
| Searle 670 | Rosario | 1879 | |
| Searle 671 | Zum Haus des Herren ziehen wir, Prelude to 57 | 1884 | |
| Searle 672 | Weimars Volkslied | 1865 | |
| Searle 673 | Weinen, Klagen Variations | 1863 | |
| Searle 674 | Ungarns Gott | 1881 | |
Nicolai
| Searle 675 | Kirchliche Festouverture über den Choral 'Eine feste Burg ist unser Gott' | 1852 | |
Wagner
| Searle 676 | Chor der jüngeren Pilger aus Tannhäuser | 1860 | |
22. Organ with Other Instruments
| Searle 677 | Hosannah for organ and trombone | 1862 | |
| Searle 678 | Offertorium and Benedictus from the Hungarian Coronation Mass | 1871? | |
| Searle 679 | Aria 'Cujus animam' from Rossini's Stabat Mater, for organ and trombone | 1860er | |
23. Vocal Arrangements
| Searle 680 | Ave maris stella | 1868 | |
| Searle 681 | Ave Maria II | 1869 | |
| Searle 682 | Cujus animam from Rossini's Stabat Mater | ? | |
| Searle 683 | Serbisches Lied (Ein Mädchen sitzt am Meeresstrand), in Musik gesetzt von F. W. C. Fürst von Hohenzollern-Hechingen, mit Pianoforte-Begleitung von F. L. | ? | |
| Searle 684 | Barcarole vénetienne de Pantaleoni, avec accompagnement de pianoforte par F. L. | 1842? | |
| Searle 685 | Es hat geflammt die ganze Nacht (Grand Duchess Pavlovna) | ? | |
24. Recitations
Draeseke
| Searle 686 | Helges Treue (Strachwitz) | 1860 | |
25. Unfinished Works
| Searle 687 | Sardanapale | 1846-51 | |
| Searle 688 | Die Legende vom heiligen Stanislaus | 1873-85 | |
| Searle 689 | Singe, wem Gesang gegeben | 1847 | |
| Searle 690 | Revolutionary Symphony | 1830 | |
| Searle 691 | De Profundis | 1834 | |
| Searle 692 | Violin Concerto | 1860 | |
| Searle 693 | Two Hungarian piano pieces | 1840 | |
| Searle 694 | Fantasia on English themes | 1840 | |
| Searle 695 | Piano piece in F major | 1843? | |
| Searle 696 | Mephisto Waltz No. 4 | 1885 | |
| Searle 697 | Fantasia on themes from Figaro | 1843 | |
| Searle 698 | La Mandragore. Ballade de l'opéra Jean de Nivelle de L. Delibes | nach 1880 | |
| Searle 699 | La Notte | 1864-66 | |
| Searle 700 | Carnaval de Venise (Paganini) | ? | |
| Searle 701 | Den Felsengipfel stieg ich einst hinan | ? | |
Appendix
1. Doubtful or Lost
| Searle 702-707 | 1. Sacred Choral Works | ||
| Searle 708-708a | 2. Secular Choral Works | ||
| Searle 709-712 | 3. For Orchestra | ||
| Searle 713-716 | 4. For Piano and Orchestra | ||
| Searle 717-723 | 5. Other Instrumental Works | ||
| Searle 724-754 | 6. For Piano Solo | ||
| Searle 755-756 | 7. For Piano, Four Hands | ||
| Searle 757 | 8. For Two Pianos | ||
| Searle 758-761 | 9. For Organ | ||
| Searle 762-766 | 10. Songs with Piano | ||
| Searle 767 | 11. Other Vocal Works | ||
| Searle 768 | 12. Recitations with pf. |
2. Planned
| Searle - | Operas | ||
| Searle - | Chorus | ||
| Searle - | Orchestra | ||
| Searle - | Pianoforte |
3. Works by Other Composers, Edited by Liszt
| Searle - | Bach | ||
| Searle - | Beethoven | ||
| Searle - | Chopin | ||
| Searle - | Clementi | ||
| Searle - | Field | ||
| Searle - | Gottschalg | ||
| Searle - | Handel | ||
| Searle - | Hummel | ||
| Searle - | Mädchenlieder | ||
| Searle - | Schubert | ||
| Searle - | Scarlatti | ||
| Searle - | Viole | ||
| Searle - | Weber |
4. Literary Works
| Searle - | Gesammelte Schriften | ||
| Searle - | Published seperately |
Legende:
zu diesem Werk von Franz Liszt liegen ausführliche Informationen vor
zu diesem Werk von Franz Liszt liegt das Libretto vor
zu diesem Werk von Franz Liszt liegt eine CD-Kaufempfehlung vor
zu diesem Werk von Franz Liszt liegt eine DVD-Kaufempfehlung vor
zu diesem Werk von Franz Liszt können Sie Noten bestellen
Letzte Änderung am 9. Juni 2023